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Leo or Leos Moskos (, 1620/30 – 1690) was a painter and educator. There were two other painters named Moskos active around the same period, Elias Moskos and Ioannis Moskos, who may have been his relatives. Indeed, Leo is often confused with Elias Moskos. Some of his work was inspired by Georgios Klontzas and Franghias Kavertzas. He traveled all over the Venetian Empire. Records indicate he traveled to Venice, Cephalonia, and Zakynthos His style resembled the Cretan school. He taught famous painter Panagiotis Doxaras. His most popular work is the Last Judgment. His paintings can be found all over the world. Twenty of his paintings have survived.Myrtalē Acheimastou-Potamianou (1998). 9789602149119, Ministry of Culture, Archaeological. . ISBN 9789602149119
To date, there are no records linking Leos and Ioannis Moskos but a familial relationship is possible. From 1664 to 1666 he is recorded on the island of Cephalonia. On September 30, 1664, there is an agreement between the commissioners of the church of the Ascension in Lixouri and Leo to paint 13 icons. Namely, a large icon of the Ascension, two Archangels at the pulpits, and Christ. The painter's fee was set at 150 realia and the time of completion of the work was May 1665.
In March 1665 the church commissioners were looking for money for the ongoing work. On February 17, 1666, Sir Leos Moskos son of Sir George appointed the priest Symeon Maroudas as his commissioner in Zakynthos. He signed the document Leos Moskos. Recall, Elias Moskos was an active painter in Zakynthos around this period. There might be some familial relationship. Leo was back in Lixouri on October 21, 1666, and signed as a witness.
He appears in Zakynthos after 1666 with reference to a Diptych. It is now at the Museum of Zakynthos. The item was taken from the church of Agios Georgios. It was founded in 1669. Around this time, Moskos made an agreement to teach Panagiotis Doxaras's painting in Zakynthos. Regrettably, the published date of the contract was 1685. Leo was in Venice around that time, so he probably taught him around 1670. Another theory is that the contract was made up in Zakynthos but Panagiotis Doxaras might have traveled to Venice.
Leo lived in Venice from 1678 to 1688 according to the register of the Greek Brotherhood. In 1681, he was the sponsor of another baptism. He sponsored four recorded baptisms. By this time Moskos also got married. He was married on October 16, 1681. He was recorded in the wedding book as Leo Mosko of Rethimno marrying Zanetta Trivisana from Padua. In 1684, he was the scribe of the Greek Brotherhood of Venice. Book VII of the Minutes of its assemblies recorded the famous painter offering a painting of the Presentation of the Virgin. The painting was for the assembly hall of the Brotherhood. He was also recorded as a witness to baptisms from 1688 to 1690.
In the Klontzas Jesus is at the very top of the painting. It resembles Klontzas In Thee Rejoiceth because the heavenly hierarchy extends outwards. The virgin is to the left of Jesus. The twelve apostles surround Jesus followed by other angles. Under Jesus, there are angels on chariots. Below the angles to the left and the right of the cross are people waiting to be judged. Music is an integral part of the scene. A musical ensemble is under the people waiting to be judged. Instruments are featured and the book life is opened, similar to Michelangelo's Last Judgment. The musical angles are next to the gateway. Next to the lava is an Angle with a sword guiding the damned into purgatory. Under the scene is hell. To the left of hell are saints, church clergy, and chosen nobles. The hell scene is a phenomenal artistic interpretation of purgatory. In the Moskos, Jesus is located at the same place. There are circles of Angles. The Virgin is to the left of Jesus. The Twelve Apostles are further from the center. They are under the angelic hierarchy. Music is also part of the scene. Under Jesus, some of the Angles are holding instruments. There is an angle holding the Holy Towel. Clearly, in the Moskos, there is a distinction between the damned and the chosen. All of the damned people are naked. At the lower-left corner are the chosen clergy, nobles. In the center an angle over stands at the entrance of the lava or doorway to hell.
Dragons are a common theme in Klontzas's work. In purgatory, demons are riding dragons. The damned are in chains and nude. They are carried off by demons. Theodore Poulakis also employs similar wolflike demonic creatures in his work resembling Klontzas. In the Moskos, there are the same demon wolflike creatures. The people are all naked and they carried off to hell. In the lower right, there is a mouth eating the lave. This is the only dragon-like creature in the Moskos. Both paintings are extremely similar. Moskos's was inspired by Klontzas's work. Franghias Kavertzas also had a similar painting it also inspired Moskos. Many other artists also employed a similar theme resembling the artist's paintings.
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